As it turns out, I’ve accumulated quite a lot of my own space junk (some of which you can see in the video for The Stars, Like Dust) and whilst you can find Apollo moon landing commemorative plates, NASA mission patches and everything from Sputnik t-shirts to Cosmonaut Christmas decorations, there really isn’t much beyond a first day cover for BLACK ARROW or Prospero (and I only know that because Marlene, who I interviewed for BLACK ARROW, told me about having this lone souvenir at home - with a copy…

From High Down to Huygens, it's been exciting (not to mention a nice surprise) to see the new collaboration between Electronic Sound magazine and globe-spanning field recording project Cities and Memory. The new issue features an interview with Cities and Memory founder, Stuart Fowkes, along with a few picks from previous releases and I'm really pleased to say that Huygens is one of them (along with the original sound source for additional context)! The bundle edition comes with an excellent double CD…

Today marks a year since BLACK ARROW was released. This article from Mark Brown was something I read early on when researching more about it, which gives a good overview of the kinds of topics covered in the conversation with Marlene and probably best describes many of the ideas I wanted to explore further around this small chapter in the history of space and satellites. It talks about unrealised futures, the relief from several people who worked on it at pivoting to space-focused projects from missiles and…

Potentially your city, even, depending on where you're tuning in from. Anyway, nice to hear In Your Neighbourhood get a little play here whilst I'm working on some new bits and pieces.

Also, on the subject of synth cities, if the idea of owning a wall of vintage synths appeals but storage is a problem, then these might be the answer. They are made by a graphic designer called Ronaldo Lopes Teixeira Rolt and I love them. Check out the gallery (including a mini Space Echo) or watch one of my favourites, the…

Orange you glad you took some time to read this blog? Because Youth Ascension, from the album with the fright-filled front, is on Resonate's staff pick playlist for February. You can listen to this month's top of the co-op pops here.

Start your weekend listening with our February 'staff picks' playlist 🎧 link in bio 👆#resonatecoop #playfair #ethicalstreaming #digitaldignity #musiccooperative #stream2own #futureofmusic #staffpicks pic.twitter.com/UB0NuxnllC

— Resonate (@resonatecoop) February 19, 2021

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When everything has felt firmly glued to the spot (and the sofa at certain points), I'd like to say thank you to everyone who joined me for a trip into space, with a special nod to Wavegirl, Simon and The Joint radio show (already well into 2021) for their kind end-of-year words and airplay. It's been really lovely and encouraging to read.

Best EP of 2020:

Roberta Fidora - Black Arrow

This is a work of stunning beauty from beginning to end, coupled with the artwork... wow!
I really can't wait to see what…

Set your radios to hum, because it's time for another instalment of The Dark Outside (the broadcast where you could hear anything from an acid banger to a particularly beautiful washing machine), this time as part of Aerial Festival. Join in here and listen out for something about top secret rocket documents or that sounds like wind whistling through island deckchairs. You can also follow along on Twitter as you listen.

Photo shared by Pete Warren.

Exciting to see the Cities & Memory #SpaceIsThePlace project receiving support from The Guardian, The Quietus, Bluedot Festival and even the European Space Agency. The long-running field recording project brought together artists from all over the world to rework sounds from space in celebration of the anniversary of the Apollo 11 mission and I contributed a track called ‘Huygens’ which uses an alien weather signal as its foundation.

The picture above is a small disc that was left behind from the Apollo 11…

With conversations forming around algorithmic bias and the skewed payment models of larger streaming services, what viable alternatives are on offer for musicians and listeners?

Journalist and filmmaker Hazel Sheffield explores one such option, Resonate, which also includes a few of my thoughts on sustainability, streaming and inviting audiences to participate, rather than consume. Read it via The Independent.

Pretty pleased with my pumpkin carving efforts. Really realistic.

Hold on, I’ll just put you through…

Wonderful, informative modular synthesiser lecture and performance at the University of Portsmouth as part of Portsmouth Festivities.