Roberta Fidora

Today marks a year since BLACK ARROW was released. This article from Mark Brown was something I read early on when researching more about it, which gives a good overview of the kinds of topics covered in the conversation with Marlene and probably best describes many of the ideas I wanted to explore further around this small chapter in the history of space and satellites. It talks about unrealised futures, the relief from several people who worked on it at pivoting to space-focused projects from missiles and the idea of quiet work instead of aggressive mythology building.

Worth mentioning perhaps that it's in a quiet time that I've written a companion piece to BLACK ARROW (this time focusing on Prospero) that I hope to be able to share soon before moving onto album pastures new. Additionally, working on music that's a bit different to normal has provided me with some really excellent samples to meddle with (thanks and sorry to Glass Grave whose guitar parts for those releases are being rinsed across the forthcoming synthier ouvre at the moment too) so expect to hear more noise in with future electronics!

There's still a free extract of BLACK ARROW up here if you missed it the first time around too, so grab it while you can.

P. S. The photograph is courtesy of the folks at The Needles Old Battery, who were kind enough to show me their High Down archives and files.

P. P. S. If, for whatever reason, you've always wondered what BLACK ARROW would sound like as test card music in a big band style, you'll want to see the latest goings on here.